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Chase, William Merritt In the Studio Corner oil painting


In the Studio Corner
Painting ID::  18932
Chase, William Merritt
In the Studio Corner
1881, oil on canvas, Canajoharie Library and Art Gallery, New York

   
   
     

Chase, William Merritt Woman of Holland oil painting


Woman of Holland
Painting ID::  18943
Chase, William Merritt
Woman of Holland
1903, oil on canvas.

   
   
     

Chase, William Merritt Still Life with Brass Bowl oil painting


Still Life with Brass Bowl
Painting ID::  18944
Chase, William Merritt
Still Life with Brass Bowl
1903, oil on canvas, Indianapolis Museum of Art

   
   
     

Chase, William Merritt Shinnecock Hills oil painting


Shinnecock Hills
Painting ID::  18939
Chase, William Merritt
Shinnecock Hills
1891, oil on panel, Wadsworth Atheneum, Hartford

   
   
     

Chase, William Merritt Hide and Seek oil painting


Hide and Seek
Painting ID::  18938
Chase, William Merritt
Hide and Seek
1888, oil on canvas, Phillips Collection, Washington D.C.

   
   
     

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     Chase, William Merritt
     American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the K?nigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Vel?zquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935),

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